Japan’s box office came roaring back to good health in 2025 — a hopeful indicator for the battered global theatrical business, delivered from what remains the world’s third-largest film market. Annual grosses surged 32 percent to a record 274.45 billion yen ($1.79 billion), according to figures released Thursday by the Motion Picture Producers Association of Japan. The 2025 total significantly surpassed the previous high of 261.18 billion yen ($1.70 billion) set in 2019, underscoring a decisive recovery after several years of pandemic-era disruption. The rebound was driven overwhelmingly by high-quality local hits, led by anime mega-blockbuster Demon Slayer: Infinity Castle – Part 1, which dominated the market with 39.14 billion yen ($255 million).
Nearly as significant for Japan’s domestic industry was the breakout success of Kokuho, a nearly three-hour-long live-action kabuki drama whose 19.55 billion yen ($127 million) haul made it the highest-grossing Japanese live-action film ever released domestically. Widely praised by critics, the film’s performance signaled renewed audience appetite for culturally specific, prestige-driven theatrical fare.
Japanese productions proliferated throughout the top ranks of the year-end chart. After Demon Slayer and Kokuho, Detective Conan: One-Eyed Flashback finished with $95.8 million, followed by Chainsaw Man – The Movie: Reze Arc at $67.8 million, reinforcing anime’s continued dominance as Japan’s most reliable box-office engine.
The remainder of the top 10 Japanese releases comprised Cells at Work! ($41.1 million), Tokyo Mer: Mobile Emergency Room – “Nankai Mission” ($33.9 million), Genki Kawamura’s Cannes-launched stunner Exit 8 ($33.3 million), Doraemon the Movie: Nobita’s Art World Tales ($30.0 million), Grande Maison Paris ($27.4 million) and Mobile Suit Gundam GQuuuuuuX – Beginning ($23.5 million).
Admissions rose in tandem with revenues, climbing 30.7 percent to 188.76 million tickets sold — the second-highest attendance figure on record. The data suggests that the market’s recovery was driven not only by higher ticket prices, but also by a broad-based return of audiences across age groups. Industry officials from the MPPAJ cautioned, however, that sustaining the rebound will depend on the continued supply of compelling theatrical product. Hopeful news for local theater operators remains in store, though: Sony has two more Demon Slayer: Infinity Castle films already in development and production.
Hollywood studio releases delivered a more modest showing, though several U.S. titles cleared the locally symbolic 1 billion yen ($6.5 million) threshold. Paramount’s Mission: Impossible – The Final Reckoning led imported films with $33.9 million, narrowly ahead of Disney’s Moana 2 ($33.3 million) and Universal’s Jurassic World: Rebirth ($31.9 million).
Warner Bros.’ A Minecraft Movie followed with $25.5 million, while Universal’s Wicked Part I earned $22.8 million and Disney’s Lilo & Stitch reached $21.5 million. Disney also placed Mufasa: The Lion King at $14.3 million, while Apple’s F1: The Movie grossed $13.7 million. Conclave and Marvel’s Captain America: Brave New World each finished with $7.2 million.
Foreign-film revenues overall rose 30.7 percent year on year, tracking the broader market’s rebound. But the 2025 results made clear that Japan’s theatrical recovery was driven overwhelmingly by domestic event films.
